Ah, James Cameron. The legendary director known for spectacles like Aliens, Titanic and the Terminator. He's also done many a documentary, and of course everyone's favorite tech demo movie Avatar. In more ways than one he's contributed to the film industry like no other director has.
Nowadays, however, he's known for talking smack in the industry. He talks about how 'Wonder Woman' wasn't anything new, and how people will soon get tired of the Marvel Cinematic Universe and want new stories. He whines about how what was accomplished in Wonder Woman was also done back in the sixties, and how Marvel movies are glorified two-hour fight scenes. He even goes as far as to say that Wonder Woman objectified women rather than being a feminist triumph. This coming from the director who got Kate Winslet nude for his fabricated Waterworld In Real Life film, and has had female protagonists in his films before. Hypocrite much? (Still better than George Lucas and Star Wars, though. Barely.)
Those remarks, like George Lucas before him, demonstrate how big of an ego James really has. It's especially seen on his attack on the Avengers, which comes after 'Black Panther' sunk his Titanic in the box office records. This is also coming from the man who wants to make four more Avatar films and trying to revive the Terminator again; the former being another short lived revival for 3D movies, and the latter after coming from two trash films. He even compares his Avatar films to another Godfather story, that the Avatar films are the next family drama. As ambitious that is, there's only one true Godfather film.
Speaking of ambition, James Cameron promised us an entire universe dedicated to Avatar. What do we have, now? A theme park at a Disney resort, and a mediocre-at-best video game. That's it. Sure, Avatar is the #1 movie of all time, but where's the success? No fanfics, no cosplay, nothing. Whatever you were planning before, Marvel and Disney beat you to the punch. Now you're trying to get back at them with your Twitter rants and being the center of all the attention. No congratulations, no 'keep up the good work', not even being grateful for Disney and Marvel making the idea of shared universes popular and possible.
James Cameron also demonstrates the possibilities when someone more successful comes down the road. Either you're considering the new kid on the block a worthy opponent, or you're jealous and fearful of this new competition. James Cameron demonstrates the latter. He complains about a Marvel movie because it came and took a precious record from him. All that hard work and troubled production that he went through in the nineties was now for naught. He knows this, and he doesn't like that one bit.
Because of all of this, I don't want James Cameron to be successful in his eleventy seven Avatar films and his second Terminator revival. In fact, I want him to fail in his latest films because of how unworthy he is of success. Anyone with no respect for any form of competition whatsoever is not deserving of goodwill. James Cameron has arrogance that would make even the Star Wars fan base blush. The fact that he has been this disregarding of his colleagues displeases me greatly. Not even George Lucas is this bad, and his ego was bigger than Atlas on top of being a control freak.
One more thing: poor sportsmanship has its consequences. Jimmy boy, you want to talk the way you do? You better back it up.
Friday, April 27, 2018
Friday, March 30, 2018
Steven Spielberg: Pop Culture's Declining and Fallen God
Steven Spielberg: that name could not be any more familiar to film goers both casual and hardcore. Regarded as one of the greats of the film industry, Spielberg was responsible for many great movies of our time. Jaws, Indiana Jones, E.T., Saving Private Ryan, Close Encounters of the Third Kind, Jurassic Park, and Schindler's List. If there was a movie he was involved with, it would be considered a classic.
Nowadays, however, he's something of a past-his-prime entity. His first movie outing in years is Ready Player One, a movie based off of a book that rides on the success of one pop culture reference too many and now has faced backlash due to the whole GamerGate debacle. Even with critical success, it's not going to be a movie that's going to light up the charts. It'll be remembered for a month tops before it gets crushed by Avengers: Infinity War and Solo: A Star Wars Story.
Even before taking his latest theater offering into account, Spielberg has devolved into the equivalent of the typical stubborn old timer lamenting on the days of old and how everything in the 21st century is the work of the devil. He whines about how Netflix movies should not be considered eligible for the Oscars, how television is a threat to film goers, and the same old 'media corrupts youth' routine with attacking computer games.
First off, Martin Scorsese is working on a movie for Netflix right now. By that logic, a Netflix film directed by someone as legendary as him is not worthy of awards of any kind. What if other famous directors get into Netflix? Are their films not considered eligible for awards, either? To me, films made for Netflix should be deserving of Oscars. Nay, they ARE deserving of Oscars if they're worthwhile.
Also, when he said that television was a threat to film goers I facepalmed and started doing thorough research on his works. Here's some history that Spielberg hopes you forget about. Steven Spielberg has been involved with multiple television shows, ranging from all ages fare like Animaniacs, Freakazoid, Pinky and the Brain, and Tiny Toon Adventures, to dramatic yet condensed war movie fare like Band of Brothers and Five Came Back, and science fiction works such as Invasion America
and Falling Skies.
He was also the producer for Under the Dome, a CBS show based off of the Stephen King novel of the same title. Spielberg even founded Amblin Television, which more or less was the production company for many of the shows that I mention. So to say that television threatens film goers while being behind both television shows and starting a studio ranges on hypocrisy that most politicians wish they had.
Here's a hint, Spielberg: how about your films as of late have not been relevant since the nineties, and that going to the movies nowadays has the fun factor of a kidney stone while being twice as painful? Most of your movies after that time were either average at best or downright forgettable. Ready Player One may have a fresh rating on Rotten Tomatoes, but that means nothing when it doesn't rake in the cash. Not to mention the stress of getting to a theater in the first place, the high cost of tickets and food, and putting up with a volatile audience. Oh, and god help you if you need to hit the restroom. You miss an important scene? Nope, too bad, no pause or rewinds for you.
Lastly, his statement on computer games also assumes people forgot about his prior legacy in the interactive media realm. He was one of the founders of Dreamworks Interactive, which paved the way for the Medal of Honor franchise. The studio also brought in titles like Steven Spielberg's Director's Chair, BoomBots, T'ai Fu: Wrath of the Tiger, and Skullmonkeys.
Dreamworks Interactive later became Electronic Arts Los Angeles, continuing the Medal of Honor Legacy as well as producing Command & Conquer 3: Tiberium Wars and Command & Conquer: Red Alert 3. They then became Danger Close Games with the reboot of Medal of Honor and finally named DICE Los Angeles with the Battlefield series.
In addition, Steven Spielberg was one of three writers (the other two being Orson Scott Card and Brian Moriarty) for the LucasArts point and click sci-fi adventure game The Dig. The Dig was originally going to be an episode of Amazing Stories, which is another television product courtesy of Spielberg, followed by a movie before becoming a game. Again, this idea was from Spielberg himself. It became a game because it was too expensive to make into a movie or TV episode. When the game was released, it became a best selling classic; it was not without delays and troubles.
In a way, it saddens me to write this blog post and what Spielberg has become. It's basically the film director's version of the Detroit Red Wings, Gwyn from Dark Souls, or the Roman Empire's legacy. In the case of Spielberg, he was a great director in his hey-day and produced great works even in the nineties. Unfortunately, starting in the 2000s his work started to decline in quality. By the time of the new tens, he has all but become irrelevant in the age of video streaming, Disney the media juggernaut, and an increase in television programming equaling or surpassing the cinema experience. Unfortunately, Spielberg sees the likes of television and Netflix as a threat rather than an opportunity. His need to cling to the past will eventually ruin him in the long run. He's obsessed with trying to protect the traditions of the past while still thinking that he will stay on top. He's wrong in this regard.
This reminds us of an awful truth: we ALL have an expiration date. No matter how great or talented we all are, we are not forever. Though our legacies will be remembered, we are all but parts to be replaced in the great machine. Spielberg and a few other directors are, unfortunately, a harsh reminder of the unwillingness to adapt quickly. Society and Technology goes on, and unless you adapt to current trends, you will die. What happens if you DON'T adapt? You become Steven Spielberg.
This is also a reminder to stay on top of these famous and/or powerful people in case they slip up. Spielberg has become afraid of the legacies he's created, and how he feels they've turned against him. This is a mistake that, unfortunately, he is not aware of. Sooner or later, he'll be gone for good, and without a legacy to continue on. Spielberg, do yourself a favor: evolve, or prepare to die.
Websites referenced:
https://www.vox.com/culture/2018/3/26/17148350/ready-player-one-book-backlash-controversy-gamergate-explained
http://deadline.com/2018/03/steven-spielberg-netflix-oscars-tv-clear-and-present-danger-to-filmgoers-1202353123/
http://www.indiewire.com/2018/03/martin-scorsese-the-irishman-netflix-theatrical-story-of-film-1201944963/
https://lifehacker.com/what-would-make-you-actually-go-to-the-movies-1821605002
http://variety.com/2017/film/features/movie-business-changing-consumer-demand-studios-exhibitors-1202016699/
https://en.wikipedia.org/wiki/DICE_Los_Angeles
https://en.wikipedia.org/wiki/The_Dig
Nowadays, however, he's something of a past-his-prime entity. His first movie outing in years is Ready Player One, a movie based off of a book that rides on the success of one pop culture reference too many and now has faced backlash due to the whole GamerGate debacle. Even with critical success, it's not going to be a movie that's going to light up the charts. It'll be remembered for a month tops before it gets crushed by Avengers: Infinity War and Solo: A Star Wars Story.
Even before taking his latest theater offering into account, Spielberg has devolved into the equivalent of the typical stubborn old timer lamenting on the days of old and how everything in the 21st century is the work of the devil. He whines about how Netflix movies should not be considered eligible for the Oscars, how television is a threat to film goers, and the same old 'media corrupts youth' routine with attacking computer games.
First off, Martin Scorsese is working on a movie for Netflix right now. By that logic, a Netflix film directed by someone as legendary as him is not worthy of awards of any kind. What if other famous directors get into Netflix? Are their films not considered eligible for awards, either? To me, films made for Netflix should be deserving of Oscars. Nay, they ARE deserving of Oscars if they're worthwhile.
Also, when he said that television was a threat to film goers I facepalmed and started doing thorough research on his works. Here's some history that Spielberg hopes you forget about. Steven Spielberg has been involved with multiple television shows, ranging from all ages fare like Animaniacs, Freakazoid, Pinky and the Brain, and Tiny Toon Adventures, to dramatic yet condensed war movie fare like Band of Brothers and Five Came Back, and science fiction works such as Invasion America
and Falling Skies.
He was also the producer for Under the Dome, a CBS show based off of the Stephen King novel of the same title. Spielberg even founded Amblin Television, which more or less was the production company for many of the shows that I mention. So to say that television threatens film goers while being behind both television shows and starting a studio ranges on hypocrisy that most politicians wish they had.
Here's a hint, Spielberg: how about your films as of late have not been relevant since the nineties, and that going to the movies nowadays has the fun factor of a kidney stone while being twice as painful? Most of your movies after that time were either average at best or downright forgettable. Ready Player One may have a fresh rating on Rotten Tomatoes, but that means nothing when it doesn't rake in the cash. Not to mention the stress of getting to a theater in the first place, the high cost of tickets and food, and putting up with a volatile audience. Oh, and god help you if you need to hit the restroom. You miss an important scene? Nope, too bad, no pause or rewinds for you.
Lastly, his statement on computer games also assumes people forgot about his prior legacy in the interactive media realm. He was one of the founders of Dreamworks Interactive, which paved the way for the Medal of Honor franchise. The studio also brought in titles like Steven Spielberg's Director's Chair, BoomBots, T'ai Fu: Wrath of the Tiger, and Skullmonkeys.
Dreamworks Interactive later became Electronic Arts Los Angeles, continuing the Medal of Honor Legacy as well as producing Command & Conquer 3: Tiberium Wars and Command & Conquer: Red Alert 3. They then became Danger Close Games with the reboot of Medal of Honor and finally named DICE Los Angeles with the Battlefield series.
In addition, Steven Spielberg was one of three writers (the other two being Orson Scott Card and Brian Moriarty) for the LucasArts point and click sci-fi adventure game The Dig. The Dig was originally going to be an episode of Amazing Stories, which is another television product courtesy of Spielberg, followed by a movie before becoming a game. Again, this idea was from Spielberg himself. It became a game because it was too expensive to make into a movie or TV episode. When the game was released, it became a best selling classic; it was not without delays and troubles.
In a way, it saddens me to write this blog post and what Spielberg has become. It's basically the film director's version of the Detroit Red Wings, Gwyn from Dark Souls, or the Roman Empire's legacy. In the case of Spielberg, he was a great director in his hey-day and produced great works even in the nineties. Unfortunately, starting in the 2000s his work started to decline in quality. By the time of the new tens, he has all but become irrelevant in the age of video streaming, Disney the media juggernaut, and an increase in television programming equaling or surpassing the cinema experience. Unfortunately, Spielberg sees the likes of television and Netflix as a threat rather than an opportunity. His need to cling to the past will eventually ruin him in the long run. He's obsessed with trying to protect the traditions of the past while still thinking that he will stay on top. He's wrong in this regard.
This reminds us of an awful truth: we ALL have an expiration date. No matter how great or talented we all are, we are not forever. Though our legacies will be remembered, we are all but parts to be replaced in the great machine. Spielberg and a few other directors are, unfortunately, a harsh reminder of the unwillingness to adapt quickly. Society and Technology goes on, and unless you adapt to current trends, you will die. What happens if you DON'T adapt? You become Steven Spielberg.
This is also a reminder to stay on top of these famous and/or powerful people in case they slip up. Spielberg has become afraid of the legacies he's created, and how he feels they've turned against him. This is a mistake that, unfortunately, he is not aware of. Sooner or later, he'll be gone for good, and without a legacy to continue on. Spielberg, do yourself a favor: evolve, or prepare to die.
Websites referenced:
https://www.vox.com/culture/2018/3/26/17148350/ready-player-one-book-backlash-controversy-gamergate-explained
http://deadline.com/2018/03/steven-spielberg-netflix-oscars-tv-clear-and-present-danger-to-filmgoers-1202353123/
http://www.indiewire.com/2018/03/martin-scorsese-the-irishman-netflix-theatrical-story-of-film-1201944963/
https://lifehacker.com/what-would-make-you-actually-go-to-the-movies-1821605002
http://variety.com/2017/film/features/movie-business-changing-consumer-demand-studios-exhibitors-1202016699/
https://en.wikipedia.org/wiki/DICE_Los_Angeles
https://en.wikipedia.org/wiki/The_Dig
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